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about website mapping
Examples of site maps
SIte map usability
by Jakob Nielsen
Sitemaps: map the user's experience
by Peter Van Dijck
The problem with sitemaps
by Peter Van Dijck
site mapping software
Trellian Site Mapper
Ixsite Web Analyzer
Microsoft Visio
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Xtreeme SiteXpert
Sitemap
Homepage
Curriculum vitae
Portfolio
Graduate recruitment & employability
North West Business Access
Certificate of work experience
Graduate Careers Online
Diversity Mentoring UK
Leisure & tourism websites
The Peaks and Plains of Cheshire Tourism Association - preview site
Quarry Bank Mill
Museums United
City of Bangor Council
Treysgawen Hall Hotel
Music & entertainment websites
Gog Rock
Fel Petai - Sgrechian EP
Tystion
Welsh Bands Weekly
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Cint
Research
PhD
PhD proposal - the Welsh music industry (page 1)
PhD proposal - the Welsh music industry (page 2)
Tutorial - Music on the Internet
MA - the internet as a new distribution medium for the music industry
Introduction
Introduction (page 2)
A brief history of the Internet
TCP/IP
A brief history of computer sound
Digital audio
MIDI
The Soundcard
Sound file formats
aiff/wav file formats
MPEG audio (mp3)
The 78rpm record
The vinyl LP and single
The audio cassette
the compact disc
Early attempts at digital music delivery
The Internet Underground Music Archive
The Bulletin Board System (BBS)
Music on the Internet today
Genre sites and music guides
Record labels
Internet radio
Webzines
Delivering music over the Internet
Bandwidth problems
Digital audio compression
MPEG audio compression
Streaming media
Real Networks
Protection music on the Internet
Digital audio piracy
The digital performance right in sound recordings act of 1995
Performance rights - songs
Performance rights - recordings
Digital audio watermarking
What is digital audio watermarking?
Royalty collections/broadcasting monitoring
Repertoire stock control/sales tracking
Authentication
How does digital audio watermarking work?
Problems with protection music on the Internet
Selling music on the Internet
Music retail
Music on demand
Conclusion
References
MA proposal: music on the internet
Research techniques
Section 1 - Introduction
Section 2 - Online music industries
Section 3 - Digital music presentation technologies
Appendices
Diploma
Part One - Historical Background
Introduction to hypermedia
A Brief History of Hypermedia and the Internet
Part Two - Concept and Site Design
Aims & Objectives
Page Layout
Media used
Text
Graphics
Sound
CD-ROM as a storage medium
Conclusion
Sources
BA(Hons) Music/Popular Music
In what ways has the use of pop music in films helped integrate the otherwise separate artforms of film and music video?
Part one: The use of popular music in film
Artistic value of popular songs in films
Analysis - "Trainspotting"
Commercial value of popular songs in films.
Analysis – "Robin Hood Prince of Thieves"
Analysis - "Philadelphia
Part two: The influence of film on music video
Musical/Visual Narrative
Analysis - Richard Marx. "Hazard" (1991)
Subtitles
Analysis - REM. "Everybody Hurts" (1993)
The Mini-film
Analysis - Flowered Up "Weekender" (directed by Wiz.1995)
The Performance Video
Conclusion
Bibliogrpahy/research
Most of the research on music video is curiously silent about the music
Introduction
Kaplan, film and image
Goodwin, sound and image
Madonna and issues of gender
Technology and issues of gender
In conclusion
The development of the synchronization of sound and image
Early experiments in synchronization
Synchronization in early film
Contemporary synchronisation techniques
Video
Bibliography/research
Feminist discourse in the lives and songs of the blues women of the 1920s
Part 1
Part 2
Bibliography
T
he sampler versus the music industry: the case for the defence
The struggle for survival in the welsh rock scene in the 1990s
Foreword - research techniques & presentation of data
Introduction
The "Welsh" issue
Bibliography
Welsh traditional music and the geographical distribution of the Welsh speech community
Pre-degree
The stereo image: how does the ear determine directionality of sound?
Acid House restrictions in Britain in the late 1980s/early 90s
Popular music restrictions in America in the late 1980s/early 90s
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