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references
  1. LEINER, BARRY M./ CERF, VINTON G./ CLARK, DAVID C./ KAHN, ROBERT E./ KLEINROCK, LEONARD/ LYNCH, DANIEL C./ POSTE, JON/ ROBERTS, LARRY G./ WOLFF, STEPHEN - "A Brief History of the Internet ", from The Internet Society.
  2. MOORE, F. RICHARD (1992) - "A technological Approach to Music" p.337, from Companion to Contemporary Musical Thought, Volume 1
  3. BAERT, LUC / THEUNISSEN, LUC / VERGUKT, GUIDO – Digital Audio and Compact Disc Technology, (Sony Services Centre – Europe, 1988, ISBN 0 343 91868 7)
  4. HEPWOOD, BRIAN – "Card Times – All About Soundcards" p.182, from Sound On Sound, Volume 12, No.1 (November 1996, ISSN 0951-6816)
  5. Audio Interchange File Format: "AIFF " version 1.3, p1 – technical white paper available from Apple Computers, Inc. (January 1989)
  6. THOM, DAVID - "MPEG Audio FAQs (Frequently Asked Questions) Version 5"
  7. CHANAN, MICHAEL – Repeated Takes – A Short History of Recording and its Effects on Music, p. 153, (Verso, 1995, ISBN 1 85984 012 4)
  8. WOODS, BILL (1997) – Music on the Net – A Topographical Tour of the Online Music World, p.8, Liquid Audio document
  9. DESPAIN, JEREMY (1998) – History of CD Technology from The One-off CD Shops International, Inc.
  10. DAVIDSON, ANDREW (1993) - Compact Disc Formats from Philips Interactive Media of America
  11. BLOCK, DEBBIE GALANTE – "Enhanced CD Consumer Awareness Campaign To Begin", Tape/Disc Business, March 1996
  12. MARINO, JOANNE – "The History of Music on the Web", Webnoize Special Report, January 1997
  13. DUBE, RIC – "After Three Years and a Wild Media Ride, IUMA 's Fate Remains Tied to Its Utopian Vision", Webnoize Special Report, January 1997
  14. MacFARLANE, JAMES – "Checking Out the Musical Underground, Internet Style", The Computer Paper, February 1994
  15. ibid.
  16. MARINO, JOANNE – "The BBS Evolution", Webnoize Special Report, January 1997
  17. HAYWARD, PHILIP – "Enterprise on the New Frontier: Music, Industry and the Internet ", Convergence, vol.1, no.2, 1995
  18. ibid.
  19. DUBE, RIC – "Independents Large and Small Learn to Embrace the Web", Webnoize Special Report, March 1997
  20. Webnoize, Special Report, May 1998
  21. LELAND, JON – "The Web in Motion", from KIPI, July 1996
  22. ibid.
  23. "Audio Encoding", from the Fraunhofer Institute
  24. WOODS (1997), p.18
  25. PAN, DAVIS YEN – "Digital Audio Compression", Digital Technical Journal, Vol.5 No.2, Spring 1993
  26. ibid.
  27. THOM (1997)
  28. www.a2bmusic.com
  29. RIC DUBE - "Real Solid Future", Webnoize report, 06 07 98
  30. "Streaming Media Buyers Guide", from Real Networks
  31. MOSKOWITZ, SCOTT (1998)– So This is Convergence? White Paper from Blue Spike Technologies
  32. Record Industry Association of America statistics
  33. British Phonographic Industry piracy statistics
  34. International Federation of the Phonographic Industry figures
  35. MARLOWE, CHRIS - Pump Up The Volume, .net magazine, No.35, August 1997
  36. Product information, MPMan web-site
  37. World Intellectual Property Organization Copyright Treaty and Performances and Phonograms Treaty
  38. EARP, JONATHAN (1996)– "Fees Payable For Use of Music on the Internet " Multimedia & Entertainment Law Online, no. 203
  39. Amendments to the Digital Performance Rights in Sound Recording Act 1995 and the WIPO Copyright Implementation Act 1998
  40. "Instant Music Commerce? Just Add Watermark", Webnoize Special Report, May 1998
  41. PAPA, MARCO (1997) – Tracking and Monitoring Music on the Internet ", White paper from Intersect, Inc.
  42. ibid.
  43. Audio Electronic Watermarking Fundamental Questions, Taken from ICE™
  44. World Intellectual Property Organisation web-site
  45. Webnoize Special Report, May 1998
  46. BARROW, TONY / NEWBY, JULIAN (1995) – Inside the Music Business (Blueprint, ISBN 1 85713 012 X)
  47. WOODS (1997), p.9
  48. RIAA statistics
  49. Top selling multi-platinum albums, RIAA statistics, August 1998
  50. GVU's 8 th WWW survey
  51. DUBE, RIC – "Music Retail Redux", Webnoize Special Report, February 1997
  52. DUBE, RIC – "Niche Retailers Offer Diversity", Webnoize Special Report, February 1997 "
  53. ADAR, RICKY – Interviewed for BBC television's The Net
  54. ibid.
  55. WOODS (1997), p.15
  56. press release, Liquid Audio, 19 01 98
  57. press release, Liquid Audio, 18 02 98
  58. The Indie 1000 Program, Liquid Audio
  59. unattributed, "Record Stores are Dinosaurs and They Are Going To Die", New Musical Express (13th June, 1998, ISSN 0028 6362)
  60. MIDDLETON, RICHARD – "Studying Popular Music", p.69, (OUP, 1990, ISBN 0 335 15275 9 )
  61. press release, SSEYO, 2nd April 1998 "
  62. COLE, TIM – "Koan Music – An Introduction", SSEYO
  63. MIDDLETON (1990), p.68
  64. "What is DRGN anyway?" from Res Rocket web-site

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