

The music retail industry generates around $12 billion annually in the US alone, reaching global figures of up to $40 billion in 1995, and is another market that has benefited from its adoption of Internet presence and technologies. According to figures generated by the RIAA and IFPI, music sales in the US doubled between 1986 and 1994, from $4.6 billion to $12.5 billion. By 1995, sales figures had reached their peak, began to level off and have now started to decline - in 1997 US annual sales were recorded at $12.2 billion, down by 2.4% on 1996 figures of $12.5 billion (see chart below).

US music industry revenue, 1970-1998
(source - RIAA statistics, June 1997 and March 1998) [48]
This decline in revenue may be attributed to a combination of factors, including
Rank |
Album/Artist |
Units sold (millions) |
|---|---|---|
1 |
Thriller - Michael Jackson |
25 |
2 |
Their Greatest Hits (1971-1975) - The Eagles |
24 |
3 |
The Wall - Pink Floyd |
22 |
4 |
Rumours – Fleetwood Mac |
18 |
5 |
Greatest Hits Vols. I + II - Billy Joel |
18 |
6 |
Untitled IV - Led Zeppelin |
17 |
7 |
Back in Black – AC/DC |
16 |
8 |
The Beatles – The Beatles |
16 |
9 |
Boston - Boston |
16 |
10 |
No Fences - Garth Brooks |
16 |
Added expense involved in maintaining these pastimes has almost certainly resulted in a drop in music sales, particularly in the Under-35 age bracket. The music industry has attempted to reclaim its stake on this category of consumer by adapting its retail strategy to sell directly from the World Wide Web, a strategy which seems to have potential given that 73% of respondents to GVU's 8 th WWW Survey confirmed that they had ordered or bought products online.
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